MODULES QUICK LINKS: BMAN • T/D • VX • SL • SL2 • SL2x • EG 3/4 • EG5 • C.O.D. • ERECT • EG5

“Just Dirty Enough”. Bad description for your toothbrush. Good description for women. The perfect description for guitar tones. When you’re looking for a guitar tone that’s just dirty enough, look no further than the BMAN.

Channel A gives you a full-bodied, warm clean, appropriate for anything from jazz to blues. We tried to find the perfect descriptive word for this kind of clean, and we ended up having to invent one: “toney”. Heck, maybe we just named your amp for you. This channel has more low end and still has plenty of presence, but is less sparkly and pristine as the T/D module.

Channel B gives you the same 1950’s Tweed sound, just pushed. This channel is made to break up and really sings with single coils.

Plug a neck-humbucker tele into this and you’ll be a midnight rambler well past midnight. Pair the BMAN with the SL or the SL2 and enjoy a common EQ curve with 4 levels of gain, from warm clean to syrupy, elastic drive.

Do you wish they all could be California Girls Amps? Well, between these two channels, you can go right back to the best of Fullerton, CA, circa the 1960's.

Channel A gives you the main ingredient for cooking up sparkling cleans, (well suited for effects). Try this channel through a 4x12, and you get glorious, purposeful cleans that are so sweet, they'll make the wind cry Mary.

Channel B serves up that classic, pushed, compressed roots-rock sound. If you want a channel that behaves like a small amp but sounds larger than your half of the stage, then this one's for you. This a channel that no self-respecting tone-chef should be without.

Match Made In Heaven: Try this with the C.O.D module and get the Ultimate Alternate Fender, a 4-channel amp that that covers every square mile of Fullerton.

A module so rich, it’ll make the Fab Four sing hail to the Queen.

Channel A is made for across-the-pond, shimmering cleans that jangle and chime like they’re supposed to. This top boost channel gives us a ticket to ride all the way to Liverpool.

Channel B is pushed hard and rich with overtones- stated simply: It Will. It Will. Rock You.

If you’re a tele player, match this module up with the SL and get clean to medium gain. Just take those old records off the shelf and play along with great tones from the last few decades.

This low to medium gain module moves you anywhere between the JTM45 and the Plexi. Players modded these amps for a reason and created a sliding scale of “perceived gain” vs. “actual gain”. But, hey, it was the 70’s and things were still a little hazy.

Channel A is the actual gain level, which is a fantastic channel for those about to rock...

...once the rocking has commenced, Channel B is the perceived gain level and will really shake up the toys in your attic. If you’d like to match this up with another module that creates the Be All End All of Marshall Tones...

...the SL2 picks up right where the SL leaves off. Sit back, and let Egnater Amplification take you back to the days of real guitar solos, spandex pants, and guitar players who got frustrated when their girlfriends would use up all the hairspray and eye shadow.

Channel A gives you the JCM800, in all of it's thunderous fire-breathing glory.

Channel B should come with a can of Aqua Net. This channel gives you the sound of modded and hot rodded Marshall Amps, 1987-1990.

While most guitarists of the late 80's were looking for chicks by looking like chicks, one in particular was looking for destruction and found it with nothing more than a top hat, a 59 sunburst and 100 watt Silver Jubilee... the SL2X cuts through the glam and delivers more muscle, more bite, and more rock star street cred. It's also a great place to start when you're trying to be the second coming of early VH. We can call you "VHII".

Channel A gives you everything from the brown sound to brownstone

Channel B... Fair Warning: this channel will have you saying "you could be mine"

Here in our worldwide headquarters, we asked what would happen if we were to take the SL2 and smooth it out a bit for soloing. We darkened it up a bit, and added a touch of mid range emphasis, and created what is the perfect sound for mic’ing through a p.a. system (which is more and more common for you guys that gig regularly).

Channels A and B were taken from the acclaimed Egnater TOL amplifiers and act as great rhythm and lead channels for guys who favor a lead tone that is a little smokier.

Definition and saturation need not be mutually exclusive terms. The EG5 brings them together in an unholy, rambunctious, and sometimes violent marriage. The tightest low end of all our modules, with a decidedly modern flavor, the EG5 is like Santa Claus on a diet: a mega-ton of "presence", but without the flabby bottom.

Channel A hits hard, with a tone somewhere between California rectified and Seattle custom shop, and refuses to let your chugs turn into chubs.

Channel B adds even more gain for your supercharged overdrive leads, whether they be "slo" or fast.

What would you say if we told you that you could have one of the most famous boutique amplifiers in recent history- and you wouldn’t have to get in a bidding war with John Mayer to have it?

Well, welcome to the module that lives comfortably between the Dumble Overdrive Special and the Mark IIc, except with it’s own little twist. Even Marshall die-hards who don’t care for Fender amps really like this module because it cuts differently and you play differently. It feels and responds like a Marshall, but with a Fender EQ. You’ll get a module that brings out the mid range in single coils and just loves the neck pickup on a Les Paul. This module is perfect for both Robben Fordabees and Dream Theaterrites.

Match Made In Heaven: Try this with a T/D and get the backstage tour of blues-rock heaven.

The first rule of Amplifier Fight Club? There is no Amplifier Fight Club. The Erect will hit first.

Channels A and B are the same, but any aggressive individual has facility with both hands, right? We found a great setting in a dual-rectified amp and then wired a better version of that harder-edged tone into a module that gives you the tones of modern rock. This module loves Vintage 30’s, eats nuts and bolts for breakfast, and is not safe to be alone with your girlfriend.

So you still have a mullet. And you still wear guy-liner. And you still tuck your acid-washed jeans into your faux snakeskin boots. Well, maybe it’s time to move forward to the current millennium? While most of you will have to change, we can help you make a smooth and comfortable transition from your 1987-1990 guitar tones to something more current.

Introducing the MHG module. This module has the aggression of current modern rock amps, but it makes for a good transition for guys who like the SL2 but aren’t quite ready for the ERECT. This is the module that you’ll need when virtuoso guitar playing comes back in style in the next two years. Be ready. Be prepared. Get a haircut.

 

 

 

All product names used in this website (www.egnater.com) are trademarks of their respective owners, which are in no way associated or affiliated with Egnater® Custom Amplifiers or Music Products Group. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones were studied during Egnater’s sound development. Additionally, we make no claim that John Mayer has ever actually 1. been to an online auction site, 2. bid on anything, and/or 3. purchased one or many amplifier(s). We like Mr. Mayer and prefer that we see him on tv, not in a courtroom.

FENDER®, BASSMAN®, DELUXE REVERB® and TWIN REVERB® are trademarks of Fender Musical Instrument Corporation.
MARSHALL® is a trademark of Marshall Amplification Plc.
MATCHLESS® is a trademark of Matchless, Ltd.
MESA/BOOGIE®, RECTIFIER® and RECTO® are trademarks of Mesa/Boogie Limited.
VOX® and AC30® are trademarks of Korg Europe Limited.